The Buena Vista Social Club album is one of my favorites. I'm sure he's making heavenly music with Compay Segundo and Ruben Gonzalez right now.
Condolences to the loved ones of Peter Jennings, too.



[I] had one of the best insult battles I've ever had with a group of three stunning hotties in my front row at my Friday show. They sat, arms crossed, checking their cell phones for text messages, all through the first twenty minutes of my set. One of them said, loud enough for only me to hear, "Let's GO already".
"Are you guys okay?" I asked.
"Too much fucking CURSING," came the non-ironic reply.
"Are you...you're kidding, right?"
"It's not clev-AH, the way you're just cursing."
I wish I'd been recording that show - the next twenty minutes were PURE GOLD. Firstly, all three of these girls were the kind of beautiful that spends its life in a non-stop IMAX movie of people agreeing with whatever it says. Even if said beauty never thinks twice about what it says, how it feels about anything, or if it even likes what it likes or hates what it hates. The Paris Hilton gene, which is spreading like the Spanish flu.
Secondly, it was so much for for me to watch their escalating, verging-on-panic reaction to my questioning - IN FRONT OF ALL OF THESE OTHER PEOPLE, ALL OF WHOM SHOULD BE AGREEING WITH THE HOTTIES - their opinion. Guys who look like me do NOT question these girls or their opinions - EVER. One of the hotties kept looking back angrily at the audience every time they'd laugh at something I said. I kept giving them every chance to leave, but they were determined to stay, and win.
Of course, "winning" in their world consisted of saying, "You don't know me, so fuck off." Like that would end the argument. Probably, every day of their lives up to that point, it did. When I wouldn't stop (wouldn't stop = didn't take "Fuck off" as the end of the argument) they almost started screaming. Weird, non-verbal shrieking, all together. I wanted to book myself and them at Edinburgh, and the show would be them sitting on stage, and saying something like, "Jennifer Lopez has awesome songs," and then me saying, "No, she sucks." And then they'd start screaming, and I'd hold up a delicate glass, and their screaming would carve sonic shapes into the glass, like at the end of THE TIN DRUM.
They finally left. And, according to one of the theater ushers, walked up Dean Street, one of them screaming, "I'm not THICK!" Which, now that I think of it, isn't something you should ever have to say, out loud, about yourself.
So, this thing I'm trying to finish is number one in the three-card deck of the Nerd Movie Tarot. The first card being the Future Dystopian Action Flick. This is where you've got heavily-armed scavengers wandering through a war-blasted desert, fighting other scavengers and mutants. Nerds - especially teenage nerds - love this card because, when you're a teenage shut-in like I was, you have so thin a grasp on how the world works that it makes writing easier if you simply wipe out civilization with a Long-Ago Nuclear Holocaust, and then have dudes galloping around shooting one another.
The trick to the Future Dystopian Action Flick is, you've got to really work out where you think the future will go wrong, and then how that'll affect human behavior. You've also got to remember, a Future Dystopia probably won't seem like a Dystopia to the people living in it. I mean, show anyone from 1905 - fuck anyone from 1945 - our present, and they'll think several apocalypses happened. Which puts me in a double-bind, as far as my pathology, to wit: it's bad enough to have whatever I'm writing affect my ongoing life - but now I'm mapping out how it will affect my future. Or, at least, this is how I think of it in my diseased brain.
(By the way, the other two cards in this deck? The Zombie Flick and the Space Opera. Future Dystopian Action starts with our present world long reduced to cinders. With a Zombie Flick, you've begun to realize how the world and the people in it work, but you've decided you want them killed by the walking dead. And, by the time you hit Space Opera, you've decided you can actually depict how the real world works - but it bores the living shit out of you, so let's go to Planet Zoomba and fuck a 30-foot woman with nine boobs).















